Free PDF This Is Orson Welles, by Orson Welles

Free PDF This Is Orson Welles, by Orson Welles

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This Is Orson Welles, by Orson Welles

Free PDF This Is Orson Welles, by Orson Welles

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Amazon.com Review

In 1992, the first publication of This Is Orson Welles brought a priceless document to light. In the late '60s and early '70s, filmmaker Peter Bogdanovich had conducted extensive interviews with Welles, but a number of circumstances--including the director's decision to compose an autobiography that he never got around to writing--kept the interviews out of the public eye. Edited and annotated by Jonathan Rosenbaum, these conversations give wonderful insights into Welles's craft and personality. He discusses his forays into acting, producing, and writing as well as directing, his confidences and insecurities, and his plans for film projects that were either never made or only partially completed. He also offers insights into the triumph of Citizen Kane and later masterpieces like The Lady from Shanghai, Touch of Evil, Othello, and Chimes at Midnight. His defense of his controversial adaptation of Kafka's The Trial is so fascinating that readers might want to rush out and rent the film. While the book is worth owning just for this 322-page interview, it is also full of other material that is equally revealing. Rosenbaum presents a meticulous chronology of Welles's life, closely following his day-to-day activities from his birth in 1915 to his death in 1985. Anyone who thinks that Welles was an essentially lazy and profligate artist will be astonished at how hard he worked and how much he accomplished, even after the completion of Citizen Kane. Another treat found in the book is a detailed description--complete with rare photographic stills--of the original Magnificent Ambersons, Welles's impressive follow-up to Kane, which can now be seen only in a tragically truncated version. This 1998 reissue of the volume contains a fond new introduction by Bogdanovich and another crucial piece of Welles minutia, excerpts from his 58-page memo to Universal Pictures about the editing of Touch of Evil. Forty years after its composition, the material in this memo has been used to create a restored "director's cut" of the film. With such grand material between two covers, This Is Orson Welles is the most informative and entertaining book available on one of the 20th century's greatest artists. --Raphael Shargel

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From the Back Cover

Orson Welles (1915-1985) was the last true Renaissance man of the twentieth century. From such great radio works as "War of the Worlds" to his cinematic masterpieces Citizen Kane, The Magnificent Ambersons, Othello, Macbeth, Touch of Evil, and Chimes at Midnight, Welles was a master storyteller. This is Orson Welles, a collection of penetrating and witty conversations between Welles and Peter Bogdanovich, includes insights into: Welles' radio, theater, film, and television work; Hollywood producers, directors, and stars; and almost everything else, from acting to magic, literature to comic strips, bullfighters to gangsters.

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Product details

Paperback: 592 pages

Publisher: Da Capo Press (March 22, 1998)

Language: English

ISBN-10: 030680834X

ISBN-13: 978-0306808340

Product Dimensions:

5 x 1.5 x 8 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#519,710 in Books (See Top 100 in Books)

A wonderful book on Welles! My only complaint is that the print is much too small! You almost need a magnifying glass to read it. There's great stuff here, but the publisher should have put a crowbar in their wallet for more pages so it could be published in a larger font. Reading while holding a magnifying glass kills much of the enjoyment of the experience.

There is no better way to get a sense of who Orson Welles was and what his take on the various happenings of his career was, than via this set of recordings. Yes, the quality is not always great -- but you get to hear Orson telling the driver where to turn, as he and Peter chat in the back seat, or Orson asking the waiter a question, in the middle of their conversation. Of course, that also means you get some road noise in the background, or the sounds of various restuarants.The major drawback is that for those that are unfamiliar with Orson's films, the conversation may be a little hard to follow at times. And, more importantly, there were MANY more hours of recordings made and used for the printed version of these interviews.... and all we get are a few hours of the prime material.Come on, Peter: Release the whole shebang. Of, if that can't be done because of the economics of it, do the scholarly community a favor and place it online to that people can listen to it over the internet! (I'll help!)

The content is splendid, wonderful insight into the great Welles. However, as others have stated, the blurry photographs appear to have been printed on gauze, and the small physical size of the book is unwieldy...a thick book in a pocketbook format. Had I known this I would have never purchased.

This book compiled by Peter Bogdanovich from interviews he had with Orson Welles is a true gem and a delight to read. I highly recommend it to anyone interested in the life of one amazing artist. Among the many amazing things I took away from this read is his opinion of other filmmakers just to mention one.

Valuable mainly to show Welles reasoning behind his films, I was especially interested in his remarks on Touch of Evil; his comments on cutting, camera angles, etc are pertinent and thoughtful. His claim it was an anti-Fascist film is consonant with his ex post facto comments on much that he did and not justified by the material. He claims the studio cut out his black comic bits in Touch of Evil because they were too powerful for the middlebrows who ran the studio. On the contrary, maybe they were distracting from an already sloppy script full of inane dialogue. As we can not see the lost material, maybe Welles did give a coherent reason for the deputy villain's decision to wear a recording device to convict the evil villain. But that would have been hard to do convincingly so deep into the story. I got the feeling Welles said to himself, how the heck can I end this film?

You can't beat hearing the old masters talk about his life in his own words and voice, with laughter in between his always-fascinating anecdotes!

The product title reads (AUTHOR SIGNED). There is no signature from the author on this.

Excellent insights even tho Orson likes to duck and weave a bit about his history. It was enjoyable rather than profound.

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