Download Layout and Composition for Animation

Download Layout and Composition for Animation

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Layout and Composition for Animation

Download Layout and Composition for Animation

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Review

Ed Ghertner is a highly regarded master craftsman in the animation industry. This book is packed with ideas that cover the art of visual story telling. It would be a helpful tool for any animator, layout artist or filmmaker. Mark Kirkland -- Three-time Emmy Award-winning Director of The Simpsons 

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About the Author

Ed is a renowned Layout Artist and Character Layout Artist who has spent over thirty years in film and animation. He has worked at Disney Studios and Disney TV. He has worked on some of the great Disney classics including "The Fox and the Hound", "Beauty and the Beast", "The Lion King", and the "Huntchback of Notre Dame" and "Mulan." In addition to working with Disney, Ed has worked on the "Curious George" and The Simpsons. Ed is an active member of the Academy of Motion Picture Arts and Sciences, Academy of television Arts and Sciences, Creative Talent Network.

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Product details

Paperback: 216 pages

Publisher: Focal Press; 1 edition (July 21, 2010)

Language: English

ISBN-10: 024081441X

ISBN-13: 978-0240814414

Product Dimensions:

7.5 x 0.8 x 9.8 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#536,352 in Books (See Top 100 in Books)

I thought this was a good book for someone learning the basics of layout and composition but it is probably more for the beginner then someone who already has a good grasp on these concepts. Layout is a complicated subject and could fill a book larger then this on it's own. This book is nicely laid out and composed of color coded chapters that are very brief and to the point avoiding too much detail which would confuse a beginner. It is a good quick reference book for any artist not just those interested in animation. Sometimes as an artist it's good to have a book to turn to when encountering difficulty with placement of shadows or vanishing points etc. and this book walks you through lightning fast without muddling your brain. I thought it was a well down quick overview on the subject.

I'm an artist who can draw but who knows little about animation. This book must average about 20 words per page. There's so little information, it seems like the author is not really thinking about how to make the reader understand anything, but rather is thinking about how tersely he can get through this chapter. Nice pictures and classy print job, but extremely uninspiring, I wonder if anybody has really learned anything practical from this. It's more like an homage to himself than any kind of instructional book.

Love the book, and the way it was handled/shipped. Came on time at the quality level anticipated.

Ed Ghertner has been in the business for a long time and his animation feature film credits are impressive. The book is a valuable wealth of knowledge for anyone wanting to learn about Layout and Composition for Animation 2D or 3D. It is written is a clear and informative way that is a must have for the professional , student or animation buff.

I had to return this book as it fell below my expecations. Let it be known, I'm not an animator - I went to school for graphic design. So maybe this is why this book bugs me so much.I want to get into animation (if anything more of a hobby than a career b/c I'm not someone fresh out of highschool) and I thought this book would be very informative.At the beginning of the book, the author talks about how he had mentoring from a successful animator and that he feels this kind of in person mentoring/interaction is lost today for most due to the globalization of the field. I think in some ways the author was trying to give that same kind of mentoring but in book form... but it falls short because it's so vague/overassuming in the text. It assumes you know A, B, C, D, E etc already and this is just a simple "watch out for this" or "don't do this" kind of format. The example images rarely had any in detail notes to help explain or tie in the text for better understanding. Also most of the images are in B&W which aren't necessarily a deal breaker.. but makes for such a cut and rather dry book.What helped seal the deal on my return was this along with the layout of book in general... the publisher's graphic designer for this book was not trying AT ALL - or if they were it was a freshman college student's attempt after just learning InDesign... They use a san serif font for everything (apart from Papyrus for some odd reason on some examples), use a grid layout for the entire book... and are so committed to that grid that they have hyphenated words throughout.I showed the inside of the book to my husband who is not at all into design/art and even he said "What is this a children's book?" This is a prime example of how bad design can hinder how the content is received (and if the content is rather dry already as it is in the case of this book, it's like adding nails to the coffin).It felt like a highschool/college textbook out of the early 90s --- but it was confusing as I have one of this publisher's other books "Directing the Story" and that book is well designed throughout and it holds your attention to where you're halfway through the book before realizing it.Maybe this book is best used as a companion to a college professor teaching... but I turned it in and will try Dream Worlds: Production Design for Animation next and hope it fairs better.

I'll be sincere. I bought this book as a gift for a friend who is an animator, as I am too. What I found was that I read it literally in 5 minutes and it was sooo useless I had to buy something else. Basically every aspect is covered in just one page with a HUGE font, I agree with the people who says that if it would've been bigger it would've been a great book, but as it is, it's like a children's book on animation.I think it might be a good treat if you are an amateur or just starting animating, but if you are studying, you'll probably know 95% of it. It doesn't bring to the table any nice tips, it's more something like a "how is animation done" book.

extraordinary brilliant descriptions, techniques revealed.the best value comes from a 'way' of visual thinking to animation.the author is keen to show some camera tips that makeall the difference... although a lot of 'moving camera' cultureis required to put all that to good use.

for beginners like me, this book is a great reference theoric for obtain a solid concept to create's animations with better final results.

This book has wonderful imagery and clear explanations.Presents the basic concepts in detail and a few advanced techniques. Wish it had more advanced concepts.Nice to have background design as an entire book and not just two pages in the back an overview of the entire animation process.

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